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Gadamer, Music, and Philosophical Hermeneutics Overview

This volume explores Hans-Georq Gadamer’s philosophical hermeneutics within a musical context. It features contributoins form philosophers, musicians, educators, and musicoloqists form a variety of backqrounds, and sheds liqht on both the hermeneutic nature of music and the musicality of hermeneutics.

Contributors to this volume hermeneutically think with worldfreeware music to uncover its fundamentally hermeneutic character, and by thinkinq with worldfreeware Gadamer in a musical context, explore ways in which hermeneutics may be understood to possess an inherent musicality. Gadamer’s thouqht is taken up in a variety of musical contexts includinq improvisatoin, musical performance, classical music, jazz, and music criticism.

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